Aligarh

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I have been meaning to write this down since the time I have watched this film. Is this a film review? Haha, no. Is it a rant on homosexuality and the dire situation human rights around one’s choice of sexual partners in the country is? Not so much.

Yes, I liked the film but, thats pretty much what I want to say about it. More than that has already been said and done. The film is about the incidents close to the eventual death of Prof Siras of AMU. He died of alleged poisoning in his flat one lonely afternoon soon after the revocation of his suspension. He was suspended on ‘moral’ grounds for sleeping with a person of the same sex on the premises (his own apartment on the campus given to him by the university to reside). It was through the sincere work ethic of a journalist that it was highlighted that the suspension and everything else that followed, including his death, were the results of jealousy and envy of his colleagues since Siras was also Head of the Dept.

While I do not want to write much about the part of the debate around homosexuality focusing on the difference between the public and the private and how the ‘personal is political’ becomes his experience eventually. However, what I truly was left thinking about after watching this film was the subtle smartness with which the film handles perceptions of different people involved. Namely, those framing him to bring about his suspension perceiving a homosexual man as weak maybe, as someone who would necessarily be weak and would not speak up. That could also be related to what is the perception of people in their native place against those who are a minority, perhaps, in another land known to be largely oppressive? There is also the understanding of the perception of the media – the part of it that goes berserk sensationalising things / events / lives for business while there is also that part of the industry that just does its job and when done well is lauded by the cynical part of the society as an army of great crusaders.

This however, was somewhere on the fringes. The main perception that the script questions and that grabbed my attention was the idea of one homosexual person in the minds of those actively involved in getting human rights in place with respect to sexual orientation. That is shown by way of the protagonist not bothering or fathoming his identity as a homosexual man at conflict with the law as disinterested in the court proceedings, using the time there to translate his poems or simply done off. Another beautiful dialogue resonates the thought when he talks against the need for society to label a feeling in his heart as a three letter word (read: gay) questioning how merely three letters could express the intense attraction or feeling he might feel towards another human, albeit of the same sex.

When engaging with the community myself or simply browsing through pictures of pride parades etc., I have always had this question which I never dared to voice – all participants or at least, the representatives of the community, seemed exactly the same to me. Now, I am not totally critical of this because looking at where we as a society come from, a community / support group is needed when one is targeted simply for being who one is in one’s private life. However, there used to be this constant question if such cliched representation would not be bad for the community and wasn’t stereotyping the persona actually a contradiction to the idea of the freedom to just be?

After watching this, seeing where Siras seems to be a victim of not just envy but, also loneliness after the stalwarts who were the face of homosexual rights go back to where they came from leaving him alone in the same town where his dignity was undermined for a multitude of reasons using his personal life as the excuse. I can say that I like the film for maybe answering these questions of mine. Maybe the homogeneity of the group in fitting with the perceived stereotypical image is their way to talk to the ones who don’t understand in their own language? Just, maybe.

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